Free Press Houston

Indian Jewelry

Indian Jewelry — artist photograph
Source: Indian Jewelry via Artist Bandcamp; creator not credited.

Houston Local Band Registry, 2003–2018 · documented 2005–2017

Indian Jewelry was a Houston experimental rock group active under that name from 2002 to 2016, with Tex Kerschen and Erika Thrasher at its center. The group combined electronic noise, distorted rhythm, psychedelic repetition, and disorienting stage lighting, often blurring the boundary between a rock concert and a sensory installation. Releases including Invasive Exotics (2006), Free Gold! (2008), and Totaled (2010) carried this approach to wider audiences. The subsequent adoption of the name Studded Left continued the musicians’ collaboration, while Indian Jewelry remains a document of Houston’s internationally connected experimental underground.

Biography sources (2)
  1. Studded Left - Wikipedia · en.wikipedia.org · accessed 2026-09-24
  2. Music | Indian Jewelry · indianjewelry.bandcamp.com · accessed 2026-09-24

External sources are cited for reference only and are not Free Press Houston holdings or affiliates.

Printed schedule for Free Press Summer Fest 2011, an event Indian Jewelry played
Held artifact from Free Press Summer Fest 2011, an edition the act played. 2011 stage guide, published on the festival lineup page alongside a PDF. Free Press Houston Archive holding.

3 appearances documented on Free Press Houston bills. Records are kept to the lineup sources the archive holds; nothing beyond them is stated.

Houston Local Band Registry, 2003–2018

Houston provenance
“Pleasure 2 is Houston’s own Indian Jewelry spinoff.”
The Herbal List, Harbeer Sandhu · 2016-02-11
Evidence
59 archive articles name the act · 12 by David Garrick
Confidence
high
“The electro synth darkness featuring members of Indian Jewelry is always intriguing and engaging live.”
David Garrick, King Kunta: The Best of The Week · 2016-03-30

Local booking provenance

Organizer provenance supplied to the archive by Omar Afra; not independent third-party verification.

Other held flyers, posters and schedules

  • Held artifact, Westheimer Block Party, spring 2009

    Westheimer Block Party, spring 2009

  • Held artifact, Westheimer Block Party, spring 2009

    Westheimer Block Party, spring 2009

  • Held artifact, Free Press Summer Fest 2011

    Free Press Summer Fest 2011

  • Held artifact, Day for Night 2015

    Day for Night 2015

  • Held artifact, Day for Night 2015

    Day for Night 2015

Appearances

Westheimer Block Party, spring 2009
Venue
300–500 block of Westheimer
Date
2009
Stage
—
Set time
—
Billing
Evening programme
Evidence
Lineup row held for Westheimer Block Party, spring 2009, source wbp-2009-03-notice.
Free Press Summer Fest 2011
Venue
Eleanor Tinsley Park, Buffalo Bayou
Date
2011
Stage
—
Set time
—
Evidence
Lineup row held for Free Press Summer Fest 2011, source fpsf-dev-2014-previous-lineups.
Day for Night 2015
Venue
Silver Street Studio, Sawyer Yards
Date
2015
Stage
—
Set time
—
Evidence
The held hype deck for the first edition names Kendrick Lamar, New Order, the Philip Glass Ensemble, Janelle Monáe and Dillon Francis and counts 43 bands across three stages; it carries no full bill. The roster below is the announced lineup as recorded by JamBase, which sets out the two festival days and two acts whose day was still pending. It is a documented lineup, not a verified record of performance.

Documentary evidence

Indian Jewelry group portrait on the band's Bandcamp profile
Portrait — not event-specific. Indian Jewelry group portrait on the band's Bandcamp profile. Indian Jewelry (artist-supplied profile photograph; photographer not stated), 2014. Copyright retained by artist/source. Indian Jewelry Bandcamp. Artist-supplied Bandcamp profile photograph; not a Westheimer Block Party photograph.

Credits are recorded from each object’s own source. If a credit here is incomplete or wrong, see photo and video credits.

Related Free Press Houston coverage

Archive articles that name Indian Jewelry. A mention is a sighting in the paper’s own pages, not a statement that the piece is about this performer.

Adjacent records