Eight works, 2010 to 2017: the Free Press Summer Fest series, the newspaper’s own tenth-anniversary show, and the two Day for Night posters the artist issued himself. Each image below is held by this archive and names the page it was acquired from.
Announced by the paper on 23 May 2010: limited-edition screen prints were sold at the festival and signed by the artist on site. The poster carries the June 5—6, 2010 Eleanor Tinsley Park dateline and is signed in the lower left.
Signed in the plate at lower right and dated 11. The artwork carries the festival dates, June 4—5, and Eleanor Tinsley Park.
Signed in the plate at lower left and dated 12. The archive also credits Rogers on the June 2012 festival-issue cover; the two are catalogued as separate objects and not merged.
The regular show edition. Foil variants of the same artwork are catalogued separately at the source and are not shown here. Signed in the plate and dated 13; the artwork reads Lose yourself · Find yourself across the top.
Made for the newspaper's own tenth-anniversary show, not for the festival: the artwork bills STRFKR, Super Mash Bros, Devin the Dude, Dann Halen, Wild Moccasins, Sideshow Tramps, The Hates, Venomous Maximus and Fist Full of Soul at 2727 Canal Street. Hand-lettered at the foot: Pathetic Art by Jermaine — Apologies to R. Pettibon, a true rider of the whiteland.
Signed in the plate and dated 14. It is a distinct object from the 2014 festival lineup art the archive holds under Kiffer Keegan's credit.
An unauthorised poster: the artist made and issued it himself for the date. Nothing here records a commission by the festival or by the performer. The artwork carries 12.17.16 · day for night · houston.tx.usa at lower right.
Dated 12.16.17 on the artwork itself and filed here to 2017, not 2018. The lettering under the logo reads: we stand around with our teeth in our mouths and we take it. take it. take it. Signed at right, artwork_jermaine rogers.
